Sacred Dramas
Hannah More's Sacred Dramas emerged from her conviction that the theater could serve moral and religious education rather than merely entertaining audiences with what she considered morally questionable fare. Writing as both an established playwright and an evangelical Anglican, More crafted these biblical dramas in 1782 as an alternative to the secular theater of her day, believing that dramatic literature possessed unique power to shape character and devotion when properly directed toward sacred subjects.
The collection presents five dramatic works drawn from Old Testament narratives: "The Search after Happiness," "David and Goliath," "Moses in the Bulrushes," "Daniel," and "Belshazzar." More structures these pieces as closet dramas—works intended for reading rather than stage performance—allowing her to focus on moral instruction and spiritual reflection without the practical constraints of theatrical production. Each drama emphasizes divine providence, moral courage, and the consequences of faithfulness or rebellion against God. More's treatment balances accessibility with theological substance, employing familiar biblical stories to explore themes of trust, obedience, and divine justice while maintaining the dramatic tension inherent in these ancient narratives.
Sacred Dramas represents an important moment in the development of evangelical literary culture, demonstrating how religious writers began to claim and reshape secular literary forms for explicitly Christian purposes. The work influenced subsequent generations of Christian educators who sought to use literature as a vehicle for moral formation, particularly in domestic and educational settings where dramatic reading served both entertainment and instruction.
Who should read this: Readers interested in the intersection of Christian faith and dramatic literature will find these works rewarding, as will those studying eighteenth-century evangelical approaches to moral education. Those seeking sophisticated theological reflection or complex dramatic technique should look elsewhere—More's strength lies in her clear moral vision and accessible presentation of biblical themes.